It was always going to be an oddity. Released as an unofficial (Italian) sequel to George A. Romero’s Dawn Of The Dead. Directed by a dumped-from-grace Lucio Fulci. Book-ended with New York scenes shot specifically for the overseas market. Zombie Flesh Eaters should have been DOA. The oddest thing by far about this singularly gruesome zombie saga, though, is the considerable artistry in its gore-and-grit-churning tale of the ravenous undead.
A pre-credits sequence hints at what we’re in for. A bound man slowly rises from a bed. A gun is fired. The man’s head implodes with a shock of red that the camera guzzles up as greedily as any flesh-muncher. It’s just the first of many artery-spurting kills, the most famous of which has a young woman impaled through the eyeball (a scene restored when ZFE was finally released uncut in 2005) as zombies overrun the remote community of Matul Island.
If the plentiful gore still shocks, Fulci impresses most with admirable command over his material. Both blood-thirsty and eccentric, ZFE is a curious blend of Giallo and Hammer (check out Richard Johnson’s death-obsessed physician) that’s all hysteria-level thrills – zombies fight sharks, worms writhe in rotting skulls and women scuba-dive topless.
So what if the dubbing’s dreadful, the acting grotty? As it builds to a blazing inferno of a climax, replete with foreboding Big Apple epilogue, Zombie Flesh Eaters’ appetite for destruction is nothing short of exhilarating. 4/5