Avengers Assemble (2012)

This year’s Spider-Man reboot may have cornered the market when it comes to superfluous adjectives, but that hasn’t stopped Joss Whedon delivering what is surely 2012’s loudest, funniest and warmest superhero movie.

That’s a pretty (yes) amazing feat when you consider Avengers Assemble is essentially a sequel to the towering likes of Iron Man, Thor and Captain America: The First Avenger. It’s been in the offing pretty much since Robert Downey Jr first strapped on a metallic super-suit and branded himself Iron Man. Four years and as many Avengers-assembling Marvel movies later, it’s up to Whedon to unite various plots, subplots and cameoing characters in the Avengers’ first movie outing. You almost feel sorry for him.

Except after years championing stellar ‘ensemble’ projects like Buffy The Vampire Slayer and Firefly, Whedon makes rallying The Avengers look like a stroll in the park. Even being slapped with a whopping budget ($220m) doesn’t seem to bother him. Whedon, see, is a character man, and handing him a collection of superheroes to play with is like locking Dr Frasier Crane in a room with a sex maniac who has mummy issues.

And what characters they are. With Iron Man (Downey Jr), Black Widow (Scarlett Johansson), Thor (Chris Hemsworth), Hulk (Mark Ruffalo) and Captain America (Chris Evans) all clashing egos and – at times – fists, the characters are what we’re here for. Whedon gleefully shows us the world’s shiniest superheroes scrapping (Iron Man vs Thor!), bonding (Black Widow and Hawkeye!) and sniping (Tony Vs Everybody!), and Whedon’s a generous leader, granting all of our colourful combatants numerous funnies. Better still, Black Widow finally has something to do, transforming into a well-rounded heroine under Whedon’s mindful gaze, and Ruffalo’s is easily the best movie Hulk yet.

In a movie with eight leads, though, it’s no surprise there’s not much to go on in terms of plot. The film doesn’t even have its own villain, instead plucking Loki (Tom Hiddleston) out of 2011’s Thor and giving him some beefed-up domination designs. The absence of a particularly exhilarating plot, though, is more than made up for in the spectacle of having so many superheroes crammed into a room together. The resultant snippy banter is as thrilling as the film’s two main set-pieces.

Character is key, then, but thanks to that Hulk-sized budget, Avengers is big with a capital BIG. The film’s final 30 minutes are a maelstrom of apocalyptic action as an entire city is brought to its knees by Loki and his minions. Meanwhile, a second act aircraft siege is just as exhilarating, with each of our heroes forced to show what they’re made of. This is no soulless Michael Bay action-fest, though, because throughout the set-pieces we’re glued to the characters, each of whom has more wit and humanity in their little finger than any of the leads in Transformers.

Avengers Assemble is a staggering achievement. Though it sacrifices complex plotting and a memorable villain for more time with the titular fighters, that’s a sacrifice we’re willing to accept. A nimble, massively entertaining blockbuster that has everybody involved bringing their A game, Avengers is big and beautiful. Spider-Man has a lot to live up to. 4/5

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